Slutty Technology + A New Brutalism = ...

...A rant by N O R T O N

I was recently eStalking Sam Jacob via twitter (my apologies to Mr. Jacob for eStalking, and to everyone for mentioning Twitter) and came across an interesting article: The young generation with a new vision to build Britain, by Geraldine Bedell of The Observer.  You can read about it here.

Something that immediately caught my eye: a discussion of our generation's rejection of what I would call "technological puke" or what others call "bubble architecture"...and what Peter Lynch in the article identifies as the "idiot avant garde."

As a member of the generation Lynch is talking about, I find the subject is critically relevant, yet lacking significant discourse.  In school, for example, faculty were seemingly caught off guard by "thin" design where image and flashy computer graphics trumped "thick" design of drawing, thought, and decision-making.  We were not slapped in the face for presenting a building associated with the "idiot avant garde" -  the infamous building which was seemingly only designed around, or built for, that one night rendering produced in 3D Studio Max, V-Ray, et. al.

From Bedell's article: 

Patrick Lynch is actively hostile to what he sees as the inevitable decline of modernism into what he calls the "idiot avant garde, which means that all your work ultimately looks the same, whatever the climate". He claims that younger architects are disenchanted with "the idea that technological progress equals artistic progress equals moral progress equals virtue, which leads to the kind of thinking that it's OK to go and build for a completely unpalatable regime and fuck up the planet for money, because you're working in your signature style and it's an expression of individual creativity" (^interjection: isn't that what happened in China for last summer's olympic games???)

A couple of reasons for my personal hatred of slutty technology:  

1. The tradition of "making" is succumbing to the tradition of "picking" with a mouse (e.g. before: "that architect has a hot pencil." today: "that architect has a hot mouse.")
2. The building I was trained as an architect in (Mr. Eisenman's 1996 addition to D.A.A.P.) seemingly exists for the architect's pursuit of a singular, narrow-minded vision and (brutal)ly ignores the needs and uses of students and faculty.  Perhaps this is a new interpretation of brutalism - one of narrow and limited social objectives.  It seems fitting Eisenman's building is in the shadows of one of the largest continuously poured concrete structures in the world - a the brutalist tower/skyscraper named Crosley Tower. Images below:

(Link to evan.chakroff's photostream)

N O R T O N unleashes a new line of thank you cards

N O R T O N, a recent college graduate in search of jobs that don't actually exist, has amassed a pile of rejection emails and letters. In response to these dire employment conditions (and out of pure boredom) a new line of "Thank You" cards has been released. Sporting images of campus buildings manipulated with bold Sharpie line work, these cards attack an otherwise critically serious problem (the architecture profession is in trouble right now) with humor. When asked about his intentions, N O R T O N laughed saying:

"Oh, you just reviewed my portfolio in ten minutes and decided I would not be able to contribute to your firm in a positive manner? Why thank you! ...what's that? no, thank YOU. really...I insist!"

It would appear N O R T O N has lost it...it seems that he is mentally unable to juggle the combination of six years of expensive higher education, no job prospects, and a lack of social interaction with the outside world.

Could This Post Be More Poorly Cited?

Justificationability preponderanced nevertheless, postrationed forwards, the longest word in the english language... Pneumonoultramicroscopicsilicovolcanoconiosis.

Even more hilariously, there are two other words that are so long and rediculous, that they are disputed to even be words. It comes as a prerequisite for mockitects to challenge these boundaries. [more]

Or, if you prefer your word choice scripted, try this. (via AMNP)

News Flash: America invades Venice...and fails!

One day I hope to create something as brilliant as Mike Bouchet has done at the 2009 Venice Biennale. If you haven't heard of his Watershed project yet - check out the brief description over at BLDGBLOG and YouTube: IT WILL BE WELL WORTH YOUR TIME!!!

Bouchet's take on American suburbia makes me proud to have grown up living the American dream (in suburbia). I've crossed out Susan Boyle and penciled in Bouchet to top my recently created list of Heroes/People I Want To Have Lunch With.

I Love Mike Bouchet.

Thought of the Week by N O R T O N

Dubai will become to the world what Detroit has become to America.

Found Artifacts

I found these two gems while cleaning out what remains of my studio.  The first is a newspaper clipping from a local November 2008 election that reflects the perilous state of local politics here in the midwest.  No wonder we've been arguing (among other things) over proposed upgrades the the city's public transit system for almost a decade now.

The second is a book that was abandoned by a retiring architecture professor here at the University of Cincinnati.  The collection of articles from the likes of Bob Venturi, Alan Gowans, Robert Jones, along with contributions from the editors (Marshall Fishwick and J. Meredith Neil), explore the notion of a "Popular Architecture" that emerged in the 1950's as an ultimate rejection of an International Style.  Neil introduced the texts by declaring the American architectural landscape experienced a "movement from LeCorbusier and Gropius to the almost anonymous designers of neon signs."  Looks to be a promising read...

Duck or Decorated Shed?

Half Built

The Commons Mall by Cesar Pelli was recently half-demolished in order to be renovated by Koetter Kim Architects. A remonstrance went through, and so this skeleton was left standing on the busiest corner of town for over a year. While the project is on hold, yours truly, faithful mockitect, has come to a realization. The half built beauty of the red skeletal steel frame (huge red trusses not shown in picture) is better in its quasi-brutal minimalism than the Commons' past or future self. The slight tinge of concrete really pulls it together. Instead of finishing the building by actually finishing it, leaving it the way it is would require "the minimal amount of effort." You could hear the building squirm in its naked, tortured half built way, "Only wanted to be loved."

Colbert Interviews Mitchell Joachim

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Links

Since there hasn'e been much news in the wacky world of Mockitecture lately, I thought I'd defer to other sources that may satisfy your Mockitecture fix. (If there is such a thing.)

Please follow this guy on twitter.

Check out this and this.

And last but definitely not least, is the long overdue hype of this.