Extra-Ordinary Buildings

Extra-Ordinary architecture is the opposite of Extraordinary architecture. It is terrible and naughty. In adopting Venturi's definition, Extraordinary (EO) architecture is heroic & original, while Extra-Ordinary (E-O) architecture is ugly & ordinary.

EO vs. E-O:

Homecoming Queen vs.Ugly Duckling

Iconic Buildings vs. Ordinary Buildings (subverting Iconic Buildings)

"Duck" vs. "Decorated Shed"

$$$$ vs. $

"I fit in with the crowd" vs. "I am (flamboyantly) restrained"

minimalism vs. M A X I M A L I S M

high art vs. pop art

"idiot avante garde" vs. "everyday populism"

"good" aesthetics vs. "bad" aesthetics

critically acclaimed vs. offensive and embarassing to the profession

Figure 1: "Look at me."

A simple wood-clad gable shed outshines it's historic brick-clad neighbors by presenting an attention-grabbing false front facade to the street.

Figure 2: "Monumentally tiny."

A curiously small, unassuming concrete building stands along side typical residential buildings. Perhaps a long lost twin brother of an obscure conceptual Corbusian house?

Figure 3: "Historical Marker."

One of my personal favorites: an economical concrete block office wearing a rather spectacular historic cupola top hat. This perhaps is the defining image of an extra-ordinary architecture.

Figure 4: "Elevated to new heights."

A shotgun-style house monumentally elevated on a CMU block pedestal. I am giddy with anticipation awaiting the installation of an equally monumental staircase for the front door (which seems quite lonely right now).

Figure 5: "Suburban Irony."

Oops! An asymmetrical entrance on an otherwise perfectly symmetrical building. Those witty developers! How dare them!

Figure 6: "Tectonic Follies, or, Built Jokes."

Ahhh suburbia: A large surface parking lot is presented with a monumental entrance to a retail building...just kidding. That's a brick wall. Ha. You stupid shoppers. This building mocks its want-to-be shoppers, luring them into parking near what they think is the entrance, only to force them to walk all the way around to the entrance on the opposite side.

Slutty Technology + A New Brutalism = ...

...A rant by N O R T O N

I was recently eStalking Sam Jacob via twitter (my apologies to Mr. Jacob for eStalking, and to everyone for mentioning Twitter) and came across an interesting article: The young generation with a new vision to build Britain, by Geraldine Bedell of The Observer.  You can read about it here.

Something that immediately caught my eye: a discussion of our generation's rejection of what I would call "technological puke" or what others call "bubble architecture"...and what Peter Lynch in the article identifies as the "idiot avant garde."

As a member of the generation Lynch is talking about, I find the subject is critically relevant, yet lacking significant discourse.  In school, for example, faculty were seemingly caught off guard by "thin" design where image and flashy computer graphics trumped "thick" design of drawing, thought, and decision-making.  We were not slapped in the face for presenting a building associated with the "idiot avant garde" -  the infamous building which was seemingly only designed around, or built for, that one night rendering produced in 3D Studio Max, V-Ray, et. al.

From Bedell's article: 

Patrick Lynch is actively hostile to what he sees as the inevitable decline of modernism into what he calls the "idiot avant garde, which means that all your work ultimately looks the same, whatever the climate". He claims that younger architects are disenchanted with "the idea that technological progress equals artistic progress equals moral progress equals virtue, which leads to the kind of thinking that it's OK to go and build for a completely unpalatable regime and fuck up the planet for money, because you're working in your signature style and it's an expression of individual creativity" (^interjection: isn't that what happened in China for last summer's olympic games???)

A couple of reasons for my personal hatred of slutty technology:  

1. The tradition of "making" is succumbing to the tradition of "picking" with a mouse (e.g. before: "that architect has a hot pencil." today: "that architect has a hot mouse.")
2. The building I was trained as an architect in (Mr. Eisenman's 1996 addition to D.A.A.P.) seemingly exists for the architect's pursuit of a singular, narrow-minded vision and (brutal)ly ignores the needs and uses of students and faculty.  Perhaps this is a new interpretation of brutalism - one of narrow and limited social objectives.  It seems fitting Eisenman's building is in the shadows of one of the largest continuously poured concrete structures in the world - a the brutalist tower/skyscraper named Crosley Tower. Images below:

(Link to evan.chakroff's photostream)